Ri-Esporre
Nuove pratiche per la spazializzazione performativa della cultura museografica
Parole chiave:
Re-exhibiting, Re-exposure, Exhibitions, Exhibition history
Abstract
Uno degli aspetti che oggi contribuiscono ad alimentare la complessa relazione tra effimero e concreto che caratterizza la fenomenologia dell’allestimento riguarda la pratica del ri-esporre. La riproposizione di mostre storiche è un fenomeno emergente, basato sul recupero o sulla ricostruzione di allestimenti (o parte di essi) che hanno avuto un ruolo significativo nell’evoluzione della cultura museale. L’articolo propone una riflessione sul tema, valutando i caratteri e il possibile ruolo di questa pratica nel suo innesto nei musei contemporanei.
Riferimenti bibliografici
- Bal-Blanc, P. (2013). On Reproduction and Re-Production. In When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada, 437-442.
- Bennett, T. (1995). The Birth of the Museum. History, Theory, Politics. London & New York: Routledge.
- Celant, G. (2013). A Readymade: When Attitudes Become Form. In When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada, 389-392.
- Collicelli Cagol, S. (2015). Exhibition History and the Institution as a Medium. Stedelijk Studies, 2.
- Deleuze, G. (1983). Plato and the Simulacrum. October, 27, 45-56.
- Dulguerova, E. (2010). L’expérience et son double: Notes sur la reconstruction d’expositions et la photographie. Intermédialités, 15: 53-71.
- Fischer-Lichte, E. (2000). Theater als Modell für eine performative Kultur – Zum performative turn in der europäischen Kultur des 20. Jahrhunderts. Saarbrücken: Universität des Saarlandes.
- Greenberg, R. (2009). Remembering Exhibitions: From Point to Line to Web. Tate Papers, 12.
- Greenberg, R. (2012). Archival Remembering Exhibitions. Journal of Curatorial Studies, 1(2), 159-177.
- Greenberg, R. (2019). Remembering Exhibitions Online: Microsites and Catalogue Raisonés. The Exhibition: Histories, Practices, Policies, 14, 35-47.
- Greenberg, R., Ferguson, B. W., & Nairne, S. (2005). Thinking about exhibitions. London & New York: Routledge.
- Hoffman, J. (2012). Imaginative Expansion (or, The Kingdom of the Crystal Skull). In When Attitudes Become Form Become Attitudes. San Francisco: CCA Wattis Institute for Contemporary Arts.
- Houston, K. (2016). Past Imperfect: Restaging Exhibitions and the Present Tense. Bmore Art, 04.
- La Rosa, M. (2016). Re-enacting Exhibitions/The Exhibition as a Medium. Mefsite - Media in the Expanded Field Site, February 15.
- Lumley, R. (1988). The Museum Time-machine: Putting Cultures on Display. London: Routledge.
- Montanari, E. (2023). Museographic Heritage. Conserving and Enhancing the Exhibition Design Culture. Roma: Aracne.
- Smith, R. (2014). Staging a Rescue From Obscurity. The New York Times, March 20.
- Tzortzi, K. & Koukouvaou, K. (2019). Temporary Museum Exhibitions as Tools for Cultural Innovation. In Strategic Innovative Marketing and Tourism, edited by A. Kavoura, E. Kefallonitis, A. Giovanis, 57-65. New York: Springer.
- Vogel, F. (2013). Notes on exhibition history in curatorial discourse. On Curating, 21, 45-53.
- Bennett, T. (1995). The Birth of the Museum. History, Theory, Politics. London & New York: Routledge.
- Celant, G. (2013). A Readymade: When Attitudes Become Form. In When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada, 389-392.
- Collicelli Cagol, S. (2015). Exhibition History and the Institution as a Medium. Stedelijk Studies, 2.
- Deleuze, G. (1983). Plato and the Simulacrum. October, 27, 45-56.
- Dulguerova, E. (2010). L’expérience et son double: Notes sur la reconstruction d’expositions et la photographie. Intermédialités, 15: 53-71.
- Fischer-Lichte, E. (2000). Theater als Modell für eine performative Kultur – Zum performative turn in der europäischen Kultur des 20. Jahrhunderts. Saarbrücken: Universität des Saarlandes.
- Greenberg, R. (2009). Remembering Exhibitions: From Point to Line to Web. Tate Papers, 12.
- Greenberg, R. (2012). Archival Remembering Exhibitions. Journal of Curatorial Studies, 1(2), 159-177.
- Greenberg, R. (2019). Remembering Exhibitions Online: Microsites and Catalogue Raisonés. The Exhibition: Histories, Practices, Policies, 14, 35-47.
- Greenberg, R., Ferguson, B. W., & Nairne, S. (2005). Thinking about exhibitions. London & New York: Routledge.
- Hoffman, J. (2012). Imaginative Expansion (or, The Kingdom of the Crystal Skull). In When Attitudes Become Form Become Attitudes. San Francisco: CCA Wattis Institute for Contemporary Arts.
- Houston, K. (2016). Past Imperfect: Restaging Exhibitions and the Present Tense. Bmore Art, 04.
- La Rosa, M. (2016). Re-enacting Exhibitions/The Exhibition as a Medium. Mefsite - Media in the Expanded Field Site, February 15.
- Lumley, R. (1988). The Museum Time-machine: Putting Cultures on Display. London: Routledge.
- Montanari, E. (2023). Museographic Heritage. Conserving and Enhancing the Exhibition Design Culture. Roma: Aracne.
- Smith, R. (2014). Staging a Rescue From Obscurity. The New York Times, March 20.
- Tzortzi, K. & Koukouvaou, K. (2019). Temporary Museum Exhibitions as Tools for Cultural Innovation. In Strategic Innovative Marketing and Tourism, edited by A. Kavoura, E. Kefallonitis, A. Giovanis, 57-65. New York: Springer.
- Vogel, F. (2013). Notes on exhibition history in curatorial discourse. On Curating, 21, 45-53.
Pubblicato
2024-12-31
Come citare
Montanari, E. (2024). Ri-Esporre: Nuove pratiche per la spazializzazione performativa della cultura museografica. AND Rivista Di Architetture, Città E Architetti, 46(2). Recuperato da https://and-architettura.it/index.php/and/article/view/658
Sezione
Articoli
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