Maurizio Nannucci
Lights upon the city
Abstract
The dialogue between art, architecture and design appears today as a topical and frequently explored practice, and interdisciplinarity is a formula for approaching the skills that are now well-established and easily smuggled in as experimental. But looking at Maurizio Nannucci's artistic career, it is clear that the inclination towards a métissage of languages has been an essential part of his research since the mid-1960s when he was maturing his artistic identity within a dense network of international experiences and comparisons with world protagonists of the most up-to-date experimental practices.
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