Morphing spaces
Mutating environments from programmed art to mixed reality
Abstract
The desire to create systems of objects and spaces that can satisfy changing needs and mimic the processes of growth and evolution of living beings has led to extensive research emphasising the concept of interactivity. Since the 1960s, interactivity has been developed in both art and design to overcome the passivity of the user. Combining artistic sensibility, technological innovation, and spatial design, this paper aims to retrace the main stages in the design of metamorphic and interactive environments, highlighting their salient features through the analysis of transdisciplinary case studies.
References
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- Baccaria, M. (Eds). (2009). Gianni Colombo. Skira.
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- Bourriaud, N., & Giacomelli, M. E. (2020). Estetica Relazionale. Postmedia.
- Brodey, W. M. (1967). The Design of Intelligent Environments: Soft Architecture. Landscape, 17(1), 8–12.
- Cook, P. (1999). Archigram. Princeton Architectural Press.
- Eco, U. (1977). Opera Aperta. Forma e indeterminazione nelle poetiche contemporanee. Bompiani.
- Fox, M. (Eds.) (2016). Interactive Architecture adaptive world. Princeton Architectural Press.
- Ishii, H. (2008). Tangible bits. Proceedings of the 2nd International Conference on Tangible and Embedded Interaction. https://doi.org/10.1145/1347390.1347392
- La Rocca, F. (2016). Design e delitto. Critica e metamorfosi dell’oggetto contemporaneo.
- Levy, P. (1997). Il virtuale. La rivoluzione digitale e l’umano. Meltemi editore.
- Mari, E. (1974). La funzione della ricerca estetica. Edizioni comunità.
- Mathews, S. (2005). The Fun Palace: Cedric Price’s experiment in Architecture and Technology. Technoetic Arts, 3(2), 73–92. https://doi.org/10.1386/tear.3.2.73/1
- Meloni, L. (2004). Gli Ambienti del Gruppo T: Arte immersiva, arte interattiva. Silvana editoriale.
- Meneguzzo, M. (2000). Arte programmata 1962. Le immagini dell’epoca: testo e interviste con gli artisti. Stefano Fumagalli.
- Negroponte, N. (1975). Soft Architecture Machines. The MIT Press.
- Pedio, R. (1980). Enzo Mari designer. Bari, Dedalo.
- Popper, F. (1970). L’arte cinetica: l’immagine del movimento nelle arti plastiche dopo il 1860. Einaudi.
- Rabeneck, A. (1969). Cybermation: A Useful Dream. Architectural Design, 497–500.
- Rossi, D. (Eds). (2016). Si racconta Giovanni Anceschi. Quodlibet.
- Saggio, A. (2002). La rivoluzione informatica. Testo & Immagine.
- Semprini, A. (1996). L’oggetto come processo e come azione. Per una socio semiotica della vita quotidiana. Esculapio.
- Zuk, W. & Clark, R. H. (1970). Kinetic Architecture. Van Nostrand Reinhold Company.
- Yiannoudes, S. (2016). Architecture and adaptation: from cybernetics to tangible computing. Routledge.
Published
2024-06-30
How to Cite
Bianco, A. (2024). Morphing spaces: Mutating environments from programmed art to mixed reality. AND Journal of Architecture, Cities and Architects, 45(1). Retrieved from https://and-architettura.it/index.php/and/article/view/619
Section
Articles
Copyright (c) 2024 Author(s)
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