Atmosfere in mostra
L’architettura degli ambienti effimeri
Parole chiave:
Ephemeral installation, Architectural design, Environmental agency, Experience, Immersion
Abstract
Il contributo si concentra sull’intersezione tra architettura e nozione di ambiente nel contesto dell’allestimento effimero. Esplora come la mostra architettonica abbia affrontato l’ambiente naturale sia come ambientazione spaziale sia come pensiero incorporato nell’esposizione, mettendo in evidenza nuove connessioni tra allestimento, progetto e discorso critico. Seguendo l’ipotesi che “uno dei compiti di un curatore è produrre atmosfera” (Urbach 2010, 14), si sostiene che, grazie alla sua scala, al suo carattere transitorio e alla sua funzione educativa, l’esposizione effimera si affermi come un campo fertile per la sperimentazione progettuale e un catalizzatore nell’indagare l’agency ambientale dell’architettura.
Riferimenti bibliografici
- AA.VV. (1992). La vita tra cose e natura: il progetto e la sfida ambientale: esposizione internazionale della XVIII Triennale. Milano: La Triennale di Milano; Milano: Electa.
- AA.VV. (2019). Broken Nature: esposizione internazionale della XXII Triennale. Milano: Triennale di Milano; Milano: Electa.
- Benetti A. (2018). Grasslands Repair porta un intero ecosistema nel padiglione Australia, Domus. Accessed Oct 02, 2024. https://www.domusweb.it/it/speciali/biennale/2018/grasslands-repair-porta-un-intero-ecosistema-nel-padiglione-australia.html
- Blau, E. (2018). Agire nell’atmosfera. In: AA.VV. Freespace: Biennale architettura. Venezia: La Biennale di Venezia, 38–45.
- Brown, A., & Szacka, L.-C. (2019). The Architecture Exhibition as Environment. Architectural Theory Review, 23(1), 1–4.
- Cameron, F., Hodge, B., & Salazar, J. F. (2012). Representing climate change in museum space and places. Wiley Interdisciplinary Reviews Climate Change, 4(1), 9–21. https://doi.org/10.1002/wcc.200
- Casarini, A. (2022). Space in Mediations. Re-Situating Architectural: Experience in the Exhibition. In: G. Gelmi, A. Kozachenko-Stravinsky, A. Nalesso, Space Oddity: Exercises in Art and Philosophy, Quaderni di Venezia Arti 6, Venezia: Edizioni Ca’ Foscari, 23–40.
- Castillo Villegas, L. (2015). Modernism on steroids. Casa palestra, The Domestic Project. OASE Journal, 94, 79–83.
- Clement, G., & Rahm, P. (2006). Environ(ne)ment: manieres d’agir pour demain. Milano: Skira; Montréal: CCA.
- Colomina, B. (2004). Unbreathed Air 1956. Grey Room, 15, 28–59.
- Diller, E., & Vidler, A. (2013). Architecture is a technology that has not yet discovered its agency. Log, 28, 21–26.
- Heymann, D. (2010). Nature-ization Takes Command. Places Journal. Accessed 02 Oct 2024. https://doi.org/10.22269/101206
- Frichot, H. (2018). Creative Ecologies: Theorizing the Practice of Architecture. London: Bloomsbury Publishing.
- Gigliotti R. (2012). Experiencing built worlds – Atmosphere in the contemporary practices of architecture exhibition. Ambiances in action / Ambiances en acte(s), Montreal: International Congress on Ambiances, 455–460.
- Hollein, H. (1976). MANTransFORMS. New York: Smithsonian Institution.
- Ishigami, J. (2014). How Small? How Vast? How Architecture Grows. Tokyo: TOTO Gallery; Berlin: Hatje Cantz.
- Korn, S. (2019). An Environment of Environments: MAN transFORMS – Curatorial Modes, Designs, Structures, Architectural Theory Review, 23(1), 59–89. https://doi.org/10.1080/13264826.2019.1616659
- Lyotard, J.-F. (1985). Les Immatériaux, Paris: Centre Pompidou.
- McDowell, T. (2014). “Les Immatériaux: A Conversation with Jean-François Lyotard and Bernard Blistène,” E-flux Criticism.
- Mindrup, M. (2019). The Architectural Model: Histories of the Miniature and the Prototype, the Exemplar and the Muse, Cambridge, Mass.: MIT Press.
- Mucciolo, L. (2022). Accumulazioni su Casa Palestra: abitare un’atmosfera. 43° Convegno Internazionale dei Docenti delle Discipline della Rappresentazione. Congresso della Unione Italiana per il Disegno.
- Quinz E. (2023). Is the new environmental awareness emerging in museums? Domus. Accessed 02 Oct 2024. https://www.domusweb.it/en/art/2023/06/20/is-the-new-environmental-awareness-emergin-in-museums.html
- Robinson, J. (2023). The City on Display. Architecture Festivals and the Urban Commons. London: Routledge.
- Ciorra, P. (2023). Form Follows Weather. In: D. Roelstraete, Everybody Talks About the Weather. Milan: Fondazione Prada, 118–121.
- Ryan, N. (2024). Permeability and the Urban Interior. In: G. Marinic, The Interior Urbanism Theory Reader. London: Routledge.
- Urbach, H. (2010). Exhibition as atmosphere, Log 20, 11–17.
- Ursprung, P. (2002). Herzog & de Meuron: Natural History. Montréal: Canadian centre for architecture; Baden: Lars Müller Publishers.
- Van den Heuvel, D., & Risselada, M. (eds.) (2004). Alison and Peter Smithson – from the House of the Future to a house of today. Rotterdam: 010 Publishers.
- Watson, F. (2021). The New Curator: Exhibiting Architecture & Design. In Routledge eBooks. https://doi.org/10.4324/9781351029827
- AA.VV. (2019). Broken Nature: esposizione internazionale della XXII Triennale. Milano: Triennale di Milano; Milano: Electa.
- Benetti A. (2018). Grasslands Repair porta un intero ecosistema nel padiglione Australia, Domus. Accessed Oct 02, 2024. https://www.domusweb.it/it/speciali/biennale/2018/grasslands-repair-porta-un-intero-ecosistema-nel-padiglione-australia.html
- Blau, E. (2018). Agire nell’atmosfera. In: AA.VV. Freespace: Biennale architettura. Venezia: La Biennale di Venezia, 38–45.
- Brown, A., & Szacka, L.-C. (2019). The Architecture Exhibition as Environment. Architectural Theory Review, 23(1), 1–4.
- Cameron, F., Hodge, B., & Salazar, J. F. (2012). Representing climate change in museum space and places. Wiley Interdisciplinary Reviews Climate Change, 4(1), 9–21. https://doi.org/10.1002/wcc.200
- Casarini, A. (2022). Space in Mediations. Re-Situating Architectural: Experience in the Exhibition. In: G. Gelmi, A. Kozachenko-Stravinsky, A. Nalesso, Space Oddity: Exercises in Art and Philosophy, Quaderni di Venezia Arti 6, Venezia: Edizioni Ca’ Foscari, 23–40.
- Castillo Villegas, L. (2015). Modernism on steroids. Casa palestra, The Domestic Project. OASE Journal, 94, 79–83.
- Clement, G., & Rahm, P. (2006). Environ(ne)ment: manieres d’agir pour demain. Milano: Skira; Montréal: CCA.
- Colomina, B. (2004). Unbreathed Air 1956. Grey Room, 15, 28–59.
- Diller, E., & Vidler, A. (2013). Architecture is a technology that has not yet discovered its agency. Log, 28, 21–26.
- Heymann, D. (2010). Nature-ization Takes Command. Places Journal. Accessed 02 Oct 2024. https://doi.org/10.22269/101206
- Frichot, H. (2018). Creative Ecologies: Theorizing the Practice of Architecture. London: Bloomsbury Publishing.
- Gigliotti R. (2012). Experiencing built worlds – Atmosphere in the contemporary practices of architecture exhibition. Ambiances in action / Ambiances en acte(s), Montreal: International Congress on Ambiances, 455–460.
- Hollein, H. (1976). MANTransFORMS. New York: Smithsonian Institution.
- Ishigami, J. (2014). How Small? How Vast? How Architecture Grows. Tokyo: TOTO Gallery; Berlin: Hatje Cantz.
- Korn, S. (2019). An Environment of Environments: MAN transFORMS – Curatorial Modes, Designs, Structures, Architectural Theory Review, 23(1), 59–89. https://doi.org/10.1080/13264826.2019.1616659
- Lyotard, J.-F. (1985). Les Immatériaux, Paris: Centre Pompidou.
- McDowell, T. (2014). “Les Immatériaux: A Conversation with Jean-François Lyotard and Bernard Blistène,” E-flux Criticism.
- Mindrup, M. (2019). The Architectural Model: Histories of the Miniature and the Prototype, the Exemplar and the Muse, Cambridge, Mass.: MIT Press.
- Mucciolo, L. (2022). Accumulazioni su Casa Palestra: abitare un’atmosfera. 43° Convegno Internazionale dei Docenti delle Discipline della Rappresentazione. Congresso della Unione Italiana per il Disegno.
- Quinz E. (2023). Is the new environmental awareness emerging in museums? Domus. Accessed 02 Oct 2024. https://www.domusweb.it/en/art/2023/06/20/is-the-new-environmental-awareness-emergin-in-museums.html
- Robinson, J. (2023). The City on Display. Architecture Festivals and the Urban Commons. London: Routledge.
- Ciorra, P. (2023). Form Follows Weather. In: D. Roelstraete, Everybody Talks About the Weather. Milan: Fondazione Prada, 118–121.
- Ryan, N. (2024). Permeability and the Urban Interior. In: G. Marinic, The Interior Urbanism Theory Reader. London: Routledge.
- Urbach, H. (2010). Exhibition as atmosphere, Log 20, 11–17.
- Ursprung, P. (2002). Herzog & de Meuron: Natural History. Montréal: Canadian centre for architecture; Baden: Lars Müller Publishers.
- Van den Heuvel, D., & Risselada, M. (eds.) (2004). Alison and Peter Smithson – from the House of the Future to a house of today. Rotterdam: 010 Publishers.
- Watson, F. (2021). The New Curator: Exhibiting Architecture & Design. In Routledge eBooks. https://doi.org/10.4324/9781351029827
Pubblicato
2024-12-31
Come citare
Kousidi, S. (2024). Atmosfere in mostra: L’architettura degli ambienti effimeri. AND Rivista Di Architetture, Città E Architetti, 46(2). Recuperato da https://and-architettura.it/index.php/and/article/view/653
Sezione
Articoli
Copyright (c) 2024 Autore/i
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